Wednesday, March 04, 2026

Soapbox Moment

Scrolling social media used to feel like stepping into a crowded city square. Noise, debate, art, nonsense, humanity. Now it feels like wandering through a fluorescent strip mall engineered by algorithms with a gambling addiction. Every other post is an ad promising that some AI will write your book, build your business, sculpt your abs, fix your trauma, and your AI GF will tuck you in at night. The future, apparently, is a subscription. Rent your intelligence. Lease your creativity. Finance your self worth.

AI as a tool for information, learning, building? That’s power. That’s progress. A hammer can build a house but it can also break a window depending on the hand that's holding it. When AI starts fabricating reality so well you can’t tell what’s human and what’s generated, trust becomes the casualty. If nothing is verifiable, everything feels staged. And a society that can’t tell what’s real starts to fracture.

And wedged between those miracle machines? Young women turning themselves into products for rent money and validation. Not empowerment. Not liberation. A marketplace where attention is currency and dignity gets discounted for engagement.

Social media was meant to connect the world. Instead, we engineered a carnival where the loudest salesman and the most exposed body wins the prize. It’s not morality I’m questioning. It’s the architecture. Who designed a system where the fastest way to be seen is to automate your humanity or auction it?

Fifteen years ago, if someone was called an “influencer,” it sounded almost sinister. Someone pulling strings in the shadows, like a spy thriller. Now it’s a job description, a mainstream career path. Build an audience. Monetize it. Sell products. Sell courses. Sell fantasies. Sell access. “Influencer marketing” is just exploitation with better lighting.

Let’s be honest about platforms like OnlyFans. It’s prostitution redesigned for WiFi. Explicit access sold to strangers who believe they’re in control because they pay monthly. The street corner went digital. The transaction stayed the same.

People call it empowerment. But empowerment without longevity is just a spotlight with a timer. Algorithms are fickle. Beauty ages. Someone younger, more provocative, more willing will always be waiting in the queue. What happens when the attention fades? When the money slows? When the internet remembers everything but forgives nothing? There’s no pension plan in selling your body online. No safety net. Just a highlight reel that never disappears and a culture quick to shame the same people it eagerly consumed.

And before anyone turns this into simple blame, zoom out. Why is this such a viable option? Why are so many boxed into a system where their value is measured in views, likes, and skin? Because we built an economy that rewards exposure faster than it rewards skill. We built platforms that convert insecurity into revenue with frightening efficiency.

If this is the attention economy, then we are both the product and the buyer. And business is booming. Maybe the rebellion now is depth. Skill. Privacy. Craft. Building something that still stands when the algorithm shifts. Real conversations that don’t come with a promo code. Real talent that doesn’t expire with youth.

Log off sometime. The real world doesn’t charge monthly. It doesn’t run on engagement metrics. And it still values substance over spectacle.

The real question isn’t whether we judge the players. It’s what kind of society built the game. 🎭

Reflection

I never carried regret like a badge or a bruise. I’ve owned every mile I walked, even the crooked ones. No excuses. No rewrites. The good, the reckless, the ugly parts that don’t photograph well.

I did what I did for reasons that made sense to the version of me holding the wheel at the time. Some of those reasons were survival dressed up as pride. Some were ego pretending to be strength. But they were mine. I signed my name to them.

I don’t flinch from my past. It built calluses where skin used to split. But there is one quiet ache I can’t muscle through. I wish my mother and my father could see me now.

Not the version they left behind. Not the restless, loud, half-formed kid who thought the world owed him interest on pain. Not the son still swinging at shadows.

My mom left in 2011. My dad in 2019. And when they closed their eyes, I was still arguing with life instead of building one. It took falling past pride, past excuses, past the illusion of control all the way down to the bottom of my own making to understand that manhood isn’t volume. It isn’t bravado. It isn’t waiting for applause. It’s responsibility when no one is watching. It’s discipline when no one is clapping. It’s paying your debts, emotional and otherwise. It’s standing up after you’ve met the worst version of yourself and deciding that’s not the final draft.

I don’t regret the road. It carved me into something solid. But I do wish they could see the finished foundation instead of the demolition site. I hope, wherever they are, they know that kid, that man child grew up.

TIME TOUCHES EVERYTHING

Time is something you can’t touch, yet it leaves fingerprints on your face. It slips through your hands like water that refuses to be held, but somehow it carries you with it anyway.

You can’t grab a fistful of yesterday. You can’t shake hands with tomorrow. All you ever get is this thin slice of now, balanced like a blade. Time is a quiet sculptor. No applause. No spotlight. Just the slow scrape of the chisel against bone.

It carved the boy out of me and left the man standing there, breathing heavier, thinking longer, choosing battles instead of swinging at shadows. 

It touched my anger and aged it into understanding. Touched my chaos and called it consequence. Touched my wounds and turned them into warnings. Mountains crumble under it. Empires kneel. Names fade from stone. Yet somehow a moment of love can outlive a lifetime because time touched it and couldn’t break it.

That’s the paradox. You can’t touch time. But every scar, every gray hair, every lesson paid for in regret is proof that time has been touching you all along.

MaryAnn DiGiacomo Tribute Page